observations

1: living room

Tiny russet spots
dance like molecules
over the mushroom
expanse of my overstuffed
couch
a rug braids its oval self
on top of long thin slats of oak
staggered together side by side
flooring my world

floor to ceiling shelves spill
over with books, a Buddha, and dragons
budded stems
pruned from a sweet Adelaide rosebush
waft scents from a
knotty pine table with sturdy square
legs that tame the
red yellow green tan
threads ovaling beneath it
my father fashioned the table magic
with a lid that hinges open on springs
pull the top up and
work or eat in luxury
in front of our big ass plasma television
that frightened me when it first arrived
but gradually became the norm
in the morning it sits quietly
while words find their way from the air to my computer

2: pianos and birds

In the great room
Sophia swings and squawks the morning alive
a pirate parrot, queen of the salty sea
her red life drowns itself dry
in a house in Montana
feathered friend
sorrow surrounds you
in me
my super sweet wish is to see you fly free

sometimes the birds and I sing
while their pupils dilate and constrict
we rock out the long morning hours of summer
later Len rips out ragtime tunes on the Baldwin upright
as LB the black-cheeked conure bobs and weaves on his shoulder
when he switches to Beethoven or old Christian hymns
LB swoons

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The prompt from Pamela Sayers and We Write Poems asked that we record observations, preferrably from the place where we write. I write on the couch in the living room, usually when I’m home alone so the tv is off. 🙂 The birds’ squawking is always nearby.

ectopic chimera

pulling me out through my womb
coldness piles itself around
my stony womanhood
scarring life’s channels
closing them off

killing the kernel before it explodes
a warm fertile serpent slowly uncoils
and slides itself from my shivering belly
into the foreign future of tomorrow
a disappearing chimera

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This is my piece for Margo Roby’s Tuesday Tryouts. The prompt was to explore something we lost.

Mercy

Battered hymnals agitate restlessness as
glaciers melt into clouds
carving stone across Earth’s face.
Sun over clouds
bruises peopled fields.
as  the choir’s amens feed her pulsing heart’s
delirium

and she falls to the ground.
Her tongue spews ancient
secrets of serpents and gardens
rich with the soil of everything
that is or is not what it claims to be.
She’s touched.

The other congregants call her “the tortured one.”

Afterwards she wakes
to the tremendous weight of
mercy in their eyes.

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Free verse for Form Monday at One Stop Poetry. Thank you to Shay for the prompt.

Aurora Borealis

Sparks of stardust etch stories
across gossamer bones of sky.
Glistening slits of templed tales
click like sticks unfold
tangling into serpents
threads of light
intertwining ancient ideas
casting them to writhe for us
upon the skies of now.

null

Several words in my poem are from this week’s wordle at The Sunday Whirl.  Visit the whirl to read more poems that integrate the same words.

Slithering Sal

Jim Morrison’s poetry illuminates Slithering Sal (the lizard-gal) as she lay in the velvet lined faux cage Jerzy the circus smith fashioned her from steel with swirls of color that dance along the bars on nights that Luna shows her full round face. To Be Alone* is hers—she whisper sings it to the empty grounds from her pillowed luxury place,

practices until it becomes her. Sal gets Morrison. She gets him like no one else, and not once has she listened to The Doors. She loves to hiss the s sounds in his words as her tail coils its way across her chest.

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She’s back! Slithering Sal started in G-Man’s Friday Flash 55. To Be Alone is a Morrison poem provided in Saturday Celebrations at One Stop Poetry. I’m calling this a prose poem. I don’t know if Sal’s done with me yet, or not, but I like her. Thanks for reading.

The Sideshow Gal

Slithering Sal stares up at heavy circus canvas, and swears she’ll kill that fucking dwarf for dragging her in from the wet. She wanted to succumb to the elements out there, where everything is not what it is here, in her miserable paralyzing lizard-girl life where for 50 cents you too can sneak a peek.

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This is my first Friday flash 55. Take a ride over to Mr. Knowitall for more 55 flash pieces.

we all go sometime

smoke and mirrors don’t change anything
slanted reflections always portray partial truths
cutting flesh a raven screams
and I want to go into hiding
somewhere with no windows
where my carriage spreads beneath trees
nourishing roots
and is not preserved in
satin-lined extravagance
under cemetery granite
where lights fade slowly
for the sleeping dead

bury me deep
beneath a cold night sky
while friends drum the Earth
that forms my body into place

with the children build a cairn
of smooth Montana river stones
and with each balanced rock
place a memory
a little me
a little you
a little we
a little them
laugh and talk about me
like I’m not even there

spill a little whiskey for my soul

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In good health, I wrote this piece and have tweaked at it for a few days to post at One Shot Wednesday.  Thank you for reading at undercaws.

Freeing Liana ~ free verse

Liana cuts a trail
with the thrust of her tail
through the deep wet ocean so blue,
so blue.

Becoming one
with the current’s hum
she taxis the dead
to eternity.
Their rotting flesh
feeds gastropods
who wait at the bottom of the sea
oh yeah
(they wait at the bottom of the sea)

Eating up eternity
the ocean’s energy shifts, and
Liana gets off on the folds of change.

(Poseidon is water
Poseidon is water)

She ignores the voices in her head
preferring her oneness with ocean instead.
Water’s movement through her gills
gives Liana silent chills.

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I wrote Fulfilling Liana ~ A Shakespearean Sonnet for a prompt at One Stop Poetry. This is the free verse continuation of Liana’s story. Freeing Liana.

Fulfilling Liana ~ A Shakespearean Sonnet

In times of drought, Liana dreams a sea,
imagining a tail to twist and thrust.
Come mermaid me becomes her chanted plea.
Poseidon struggles hard against his lust.

Liana yearns an ocean into life;
and trances out a sodden reverie.
Liquidity belies her earthly strife;
she conjures up a deep-sea valkyrie…

Capitulating human lungs for gills
Liana breathes her last breath of the night.
She trades away the earth’s long rolling hills
as sea gods make her fervent wish take flight.

Sing out her name when tossing over dead!
Sweet Valkyrie please bind them to death’s thread.

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A shout out to Sam Peralta and One Stop Poetry for the inspiration. I gave a Shakespearean Sonnet a whirl, and I like the results. The whole piece took about three hours to write, move around, etc… It was a fun process and did not wind up even near where I started. The prompts at One Stop are intelligent, as are the other pieces they inspire. Check them out.

I just wrote a free verse response called Freeing Liana ~ Free Verse.

The King’s Crown ~ A Magpie Tale


This carnivorous gastropod’s
rasping tongue cleans the shell
of its bivalve cousin
before it retracts its
fleshy tentacles
and hides in the mud
to digest that mollusk’s clammy flesh.
It seldom wonders why it behaves
this way, it just does.

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This is my entry for this week’s Magpie Tales. Thanks for the photo, Tess. For inspiration, I researched the shell here, and also clicked on the crown shell photo there for more information.