it springs forth with a first

Disguised in happiness,
April’s dense blooming words
blow over winter’s white illusions,
as hundreds of images
flicker tales chiller than
the underside of snow’s
shivering soul.

Phantom blooms waltz links
between screens as words
spill into cracks
caulking chasms
with prehensile roots,
quivering tentacles,
that tease spring eternal.

Brenda Warren 2013

napo2013button1mizquickly

Process Notes: Inspiration comes in many forms. Today’s prompt is a combination of the first official NaPoWriMo prompt, and a prompt from Miz Quickly’s Impromptu Poetry Month hosted by Tennessee poet Barbara Yates Young.  I think that’s Miz Quickly in her airplane flying by to check things out.

The NaPo folks asked that we start our piece with the first line from another poet’s work. The initial phrase in this piece is from Pamela Kaler Sayer’s work, In Simple Hue. Miz Quickly asked that we come up with seven words and use at least five of them in a poem. My seven words were hundred, month, blooming, dense, blow, tale, and link. I did not use month.

Is this poem nonsense? Of course it is (no it is most definitely not). Yes, it is.  Miz Quickly appreciates stuff like that.

after 2

Walking home alone after last call
a rising moon feathers petals
across the alley’s pits and peaks.
Lost and found glimpses flash muted night hues,
as clouds span Luna’s vast and shining face.

A powdered ghost shimmers, a sprawled victim,
outlined in chalk by GFPD staff long after
life’s last breath.
I stop to gawk at its empty space,
and try to unlock its stories
slammed into a silhouetted still-life ending,
written in stone.

Emptiness tickles night’s deep void,
running her fingers down
the length of my spine

Brenda Warren 2013.

Note: This is not autobiographical. I’m far too old to be out until last call. 😉

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102

for Shirley

Shirley’s Checkered Past

Elephant calf, culled from herd,
you travel to North America.
Endure the loss of country.
Endure chains and circus crowds.
Survive a shipboard fire, and
the jarring wounds of bullhooks,
keeping you in line,
keeping you dancing beneath
wounds the circus disguises for crowds
with pounds of velvet and rhinestones
that glitter under Big Top lights,
encouraging human hoopla
perpetuating elephant subjugation
and the culling of your herds.

After 30 years, a bull elephant
stampedes into you, Shirley,
breaking a leg that never sets right.
Earning you a home
in the Louisiana Purchase Zoo.

A lone elephant
and one man,
your keeper, your friend.

For 22 years Solomon James lays his hands on you, and
you gently push your weight against them.
For 22 years Solomon brings you
tree branch toys and company.
Shirley girl
For 22 years Solomon aims a hose
at your fire scarred head.
For 22 years Solomon
shackles and unshackles you
to prepare you for public pleasure.

The Journey to Shirley’s Future

After 22 years, the zoo retires Shirley
to The Elelphant Sanctuary in Hohenwald, Tennessee
where other elephants roam free.

Solomon shackles a reluctant Shirley and
lures her onto a truck with carrot and talk.
He does not hurry her.
Ratcheting and cranking chains help pull her close
until Shirley slowly lifts her bent back leg up,
and onto the truck that leads to her forever.

Yesterday never forgotten,
they drive through the cool of night.
Listening to highway sounds and dancing air,
Solomon imagines Shirley’s mind running
through the years, spreading out like sand
or the feel of her leathery gray skin
beneath the palms of his hands.

Shirley Comes Home

After 14 hours on the road,
Shirley steps off her last truck home.
Solomon unshackles Shirley.
She stands behind bars and in walks Tara,
the first elephant Shirley’s seen in twenty some years.
Tentatively touching trunks meet and greet
while Solomon smiles with glistening eyes.

As he bathes Shirley one last time
Solomon’s soft voice soothes,
“They’ll be no more chains. You’re free now.
I don’t know who was the first to put a chain on you Shirley,
but I’m glad to know, that I am the last to take it off.
You’re free at last.”

Tears flow from Shirley’s eyes
as Solomon’s strong brown fingers
spread love stirred deep into lines
that stretch years of stories across her skin.

Shirley and Jenny

At nightfall, a symphony of trumpets, grunts and groans
sing from the barn.

A year before Shirley’s injury,
elephant calf Jenny,
freshly culled and captive,
joined Shirley’s circus.
Jenny met Shirley fresh from the boat.
Remembered bonds bend steel bars that separate
until humans intervene to open elephant to
flesh against flesh.
Over 100,000 trunk muscles quiver to explore
the passage of twenty some years.

Later, when life becomes home,
Shirley and Jenny walk side by side
trunks placed upon each other’s hearts.

Birds fly above the pond where Jenny sprays
her beloved friend, her North American mother,
basking sweetly in the shady shallows
of a sanctuary pond.

Brenda Warren 2013

Process Notes:
The Elephant Sanctuary has long held a deep place in my heart. When a poem would not come easily this week, I decided to write a poem chronicling Shirley’s story. Here is a link to a video of the story: The Urban Elephant: Shirley’s Story. This 12 minute video makes me cry, even after more than two dozen views. If you are a teacher, share it with students. Spread the story. Compassion grows when children see Solomon say good bye, and then Jenny comes along. Double whammy! Not only that, your students will LOVE to see you cry.

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101

March 10, 1998

Snow dusts an upturned circle of earth
like powdered sugar on brownies
as sun blues Montana’s unrestrained sky.
A train masters rails through fields of calving cows
while fat bellied sheep stretch toward next month’s labor.
Its faint wistful whistle colors my coffee richer,
ushering in morning’s promise of a day to work dirt.
Gardens root me to earth and create space to thin thinking.

While mentally mapping out zinnia streets lined with thyme,
a rap on the door pulls me present.
Farmer Tom steps inside.
Working the bill of his hat with his hands,
words spill beneath sober blue eyes
words about school buses and trains
words that shouldn’t be paired
words that Farmer Tom shared:

“Two brothers died.”

Morning’s lovely face
swallowed them up
and their young bodies flopped like fish in a basket
when metal hit metal.

“Two brothers
were killed
at the crossing
on Buffalo Canyon Road.”

My shaken neighbor, forever changed,
apologizes to me for tuning in calls on his emergency scanner,
he apologizes to me for sharing the news,
and he apologizes to me
for being the only person he can find any place
on this still spring morning.

“Oh God,”
Farmer Tom puts his head in his hands
and he weeps.

Brenda Warren 2013

Process Notes:  This is a true story, except that I did not hear the train’s whistle that morning.  Poetic license placed it there. Tom and I also joked about how strong my coffee was, trying to make life seem normal. The oddness of that morning keeps it fresh enough to revisit in this piece. Ben and Christopher Petersen would be adults with rich lives now.

This is for the 100th Sunday Whirl.  Thanks for your continued support there and here.  You all rock!

100

Descending Book Spine Cento Ends in Blood

cnto1Descending Book Spine Cento Ends in Blood

Behind the beautiful forevers,
blinking with fists
the sun came down,
sailing alone around the room,
raising the dead,
parading through history.
Spirits, light and dark,
counting coup and cutting horses:

killing Custer.

Perma Red,
winter in the blood.

Brenda Warren 2013

Process Notes: My poet friend Richard Walker, Sadly Waiting for Recess, shared the idea of a book spine cento. In a cento you use lines or titles from another work(or in this case, book spine titles) as the lines in a poem. This is my third attempt. It was fun to pull out books and play with the titles. I am currently reading the top book on the stack.

Unaccepted Apology

A spree, a bender, a binge, a fling,
you swear it didn’t mean a thing.
Fearsome and away,
part of every day,
it haunts you with this
empty- bellied hole,
painted gone with window black
aftereffects of booze and smack
written in your intimate reserves.

A spree, a bender, a binge, a fling,
you swear it doesn’t mean a thing,
confined inside a mind that can’t remember.

Outsider, User,
Soul Abuser,
you cast your only able body under.

Brenda Warren 2013

Process Notes:
Bender, binge, and fling were all listed as synonyms for spree in MS Word. I liked the way they sounded in a list together, so I used that as a first line. With some direction from wordle words, the rest of the piece wrote itself, then I polished it.

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99

Whirl Twofer

buried and unbalanced

wings to carry me
wings to dry
wetness from my baby’s eyes
let me soothe him
dust his soul
bless him, bruised him
keep him whole

he deserves a first in life
screamed into a slap
a gasping instant
under all

a snare,
a breath,
an angel’s call

blue baby
dead baby
ride on wings
of dreams and prayers,
imaginings
murmurings of might have beens,
buried and unbalanced

Brenda Warren 2013

The drumming thrum of wings drove him mad so

His snare pulled her wings asunder
and he stared in her glistening eyes.
He knew he was blessed by the blue faerie’s
gaze, through the way she unbalanced his mind.

He snapped his hands cupped
and shut her in,
whispering silk
through his thumbs.

Faeries always succumb
to whispering silk
through thumbs.

Always,
they always succumb.

Beat a drum.

Always,
they always succumb.

Brenda Warren 2013

Note:  Not all poems are autobiographical.  The first poem uses all of the wordle words; the second uses some of them.  Both came quickly. They read well aloud.

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98

balance

Imaginary balance lingers like a doe feeding
until she catches your eye and darts into shadow
elusive as the thread that held you to her,
transfixed, rooted,
bathed in the naked face of now
where acknowledgment of nirvana forces capitulation
to the scurries of illusion that make hearts flutter
giving birth to wings and feet
that wake earthbound forms from hiding
aware for a moment,
there is no lack under fullness.

Doors, on the other hand, are human constructs,
holding candlelight between walls,
casting night aside.

The doe prefers darkness,
breathing for the balance of her steady beating heart.

Brenda Warren 2013

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96

four seeming sentences

Sometimes it seems
these trees court the sky;
their threading evergreen plumes
woo the driest blue.

Sometimes it seems,
the hills glow coral
as if some alien incident
bathed them in chemical luminescence,
sprayed from bottle-shaped ships.

Sometimes it seems.
creatures dream
in smoke that billows and balls
out the chimney across the street.

Sometimes it seems,
birdsong still screams through
silence, once scarce,
as our heartbeats echo the girls.

Brenda Warren 2013

Process Notes:

After the first stanza came, I decided to use the same process for the remaining stanzas until all the words were in place. I started with “sometimes it seems,” then looked out my window for inspiration. This writing activity might show up in my classroom if I need a “filler” activity. Teachers use fillers when a lesson runs short and we need to “fill” time with a quick activity. This one provides practice in figurative language and sentence structure. Each stanza is a complete sentence, beginning with an adverbial clause. It will deepen my students’ understanding of adverbs. Teacher me diagrammed two of the stanzas already. My students can diagram their sentences for an extra point or a trip to the classroom treasure chest.

We placed our macaws with the Montana Parrot and Exotic Bird Sanctuary this past week. My students know that it was a rough decision for me. The last stanza is dedicated to Sadie and Sophia. Len and Thyra drove the girls to the sanctuary, and were delighted with the girls’ responses to their new home. They took to the people running it immediately, and seemed intrigued by their new flock. They will stay there for a while, and eventually will go to new homes. This final stanza will give my students a concrete example of what I mean when I say, “Write what you know.”

I did not use the word “rare” as scarce provides consonance. I also reworked the final stanza without the word “term.”

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enough

she whistles a wish
through lush red lips
to usher in
the morning

I only want enough again

figure thin
it whispers wind
with interest in
her mourning

I only want enough again

bust it up
dis mantle it
fill it in with sweet
-ness

I only want enough again

miserable wishes
become rotten fishes
that swim straight
to the heart
of her soul
proving
wishes like dishes
hold feasts
not delicious
that fuss
until she lets go

I only want enough again

enough means
letting go

Brenda Warren 2013

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94